Josh Smith – Borderline London – 26th March 2019

A plan was made…
A rendezvous…
Meet up with Karlos in India before moving on to the next adventure in time and space…
Taking refuge at Govinda’s we devised a plan to follow the thread of timelines pertaining to the electric guitar. We set off on our journey. After loading the parameters into the time machine and pressing go, the machine whirred and fired as expected. Then upon landing we ventured outside to find that, apparently, we were in exactly the same spot in exactly the same timeline… We called the ATMA recovery people and decided to go the Borderline to see Josh Smith instead…
Wherein we discovered the answer…
Disclamer: read no further if you are not a fan of guitar
music and/or get upset by the idea of extended instrumental passages…

The guitar and gear gods had smiled on us this evening as we entered The Borderline to see the stage bedecked with an array of first-class audio equipment. Further still, it would be in the hands of those who could well use it to help satisfy our enquiring minds.

Being somewhat of a guitar enthusiast (geek), occasionally enjoying some of the many guitar related videos available on the internet, (which activity) has brought to my attention a number of talented individuals, one of whom is the super capable player Josh Smith.

A recent video with Josh on Andertons TV, once again highlighted his skills and he also happened to mention he was currently on tour in the UK, which got me thinking… After a quick check of the calendar and a call to Karlos, tickets were purchased for the London show of the tour. Which brings us back here…

We ventured towards the stage to secure our viewing positions. Where, along with many others we cast a keen eye across Josh’s set up; three beautiful guitars, a brace of amplifiers and Josh’s marvellous new Schmidt Array pedalboard built by pedalboard Supremo Dan Steinhardt of the Gig Rig and That Pedal Show renown.

Support act Rory Evans, bravely sat in front of a packed borderline with a lone acoustic guitar and proceeded to capture the hearts of the crowd with his guitar virtuosity, showmanship and banter. A good warm up.

On to the main attraction…

Tonight’s sell-out show in London’s West-end, saw wall to wall guitar enthusiasts (geeks – present company included) packed into this fairly intimate venue.

As Josh and his band took the stage all recent fluctuations of time and space began to cohere. Josh appears down to earth and at ease, no mean feat given the soaring, searing guitar lines he pumps out. A very fluid style sees him going out on creative limbs, coming back down to earth and weaving in many licks and riffs which nod to his influences (from across the whole of electric guitar history with a heavy helping of Blues, Rock, Soul and Jazz). At one point there was a bit of a nod to Charlie Christian, which struck me as so cool, how it had been added into the context of one of the extended instrumental sections with great subtlety. (I spoke briefly to Josh afterwards saying to him “7 Come 11” to which he excitedly replied “Yeah man! That was in there…” )

The numbers of the main set tonight were all Josh Smith originals available from his catalogue of Album releases. Post show, I purchased the most recent two and they are both great. However, live is where it really seems to happen. The numbers, stripped of the studio finery, are brought to life in front of your eyes and ears, in this marvellous 3-piece format. Talking of which, bassist Jonathan Noyce and drummer Darren Mooney, perfectly complemented Josh’s songs and playing as they subtly underpinned the song frameworks and created a perfect platform for Josh to explore. They were also allowed plenty of room to shine in their own right, with extended solos and passages.

2 hours or so were over in a flash and all too soon they exited stage right and (we) the crowd were howling and whooping for more…

To which the answer came, in the form of an encore comprising just one song. However, within that song a journey was undertaken, exploring sonic frontiers far and wide before returning to the earthly confines of the song structure. And that song was tonight’s only cover, a beautifully mind-blowing rendition Jimi Hendrix – Angel. Sublime!

Offstage post-performance Josh appears calm, centred and down to earth with a winning, infectious smile (I’m guessing this comes as a result of him having heavily worked his mojo up on stage for the last couple of hours). He takes the time to stop and talk with everyone who says hello and happily obliges those who ask for a photo (including Karlos).

If you are an electric guitar geek, or simply a music lover who likes their Blues/Rock with a healthy dose of Soul and a smattering of Jazzy leanings, I really can’t recommend a Josh Smith live show highly enough. Check it out!

We ventured back out into the mild London evening and found that the ATMA agent had discovered the source of the issue with our Time Machine… A crack in the ST housing unit had caused a temporal malfunction and while we hadn’t appeared to have travelled anywhere, this malfunction had caused a singularity along the lines of our intention and drawn creative energy along timelines spanning 90 years both future and past with the present as the source. Ah well that explains it then! Oh, and we got a parking ticket from the year 1967!

Over…

Words: Matthew Elvis Brown

Photos: Karlos Antrobus

http://www.joshsmithguitar.com/

Bonus:

Guest Review – The Stranglers – Dr Feelgood o2 Academy Bournemouth 25th March 2019

The Great Kudu, was in need of a Loo, 
so partook of a hedge.
Encountering a few, still in search of Hugh,

near pushed him over the edge.
Having done what they do, Feelgood in his view,

won his praise, a privilege.
And of course too, The Stranglers of who,

are a band worthy of their Sege*.

Part 1-The Journey-

Left Salisbury at 18.00 but forgot about the everlasting road works on way to Bournemouth, hit road works and then became desperate for a call of nature, huge mug of coffee before I left was a bad idea but as driving, I knew I couldn’t have a beer at the gig. So clenching my thighs (too much info) I was faced with a wall of traffic, 30 minutes just to do one mile… I finally hit Bournemouth, by now I was at bursting point, so parked car where I could and jumped over someone’s large wall and fertilized their bush (no sexual references intended). If you are the owner of the property, I apologize but sometimes desperate situations call for desperate measures! After that I drove around looking for parking after ending up on the seafront, eventually I found the large open car park that I have used before, mission accomplished.

Part 2- Passive Listeners-

After parking the car I got talking to two blokes, now they were really clued up; firstly they had no idea Dr Feelgood had no original members and secondly they asked if Hugh Cornwell was still in the band? Now that’s why I have titled Part 2 Passive Listeners, it’s just laziness all you have to do is go on the internet and you can find current line-up formations on most bands, I always do a bit of research if I am seeing a band that I don’t know much about.

There are two types of listeners when it comes to music:

1-Passive Listeners – music is just a distraction and means nothing

2-Active Listeners – actually listen to music and get something from it, i.e. appreciating the art behind it.

A lot of people who attend gigs just seem to be there to piss in the toilets. Oh well it’s free country? sort of?

Part 3- The gig-

Now this was my third and last date of the tour, next gig will be Lille in November, so I hoped to end on a high? (not with Drugs?) More about that in a while.

So first up Dr Feelgood without any original members, taking that aside, I have to say they have actually grown on me the three times I have seen them this tour, they are fine musicians and are keeping the music alive, really enjoyed their set, the best I have seen them on this tour and they are a worthy support act for The Stranglers. (A bit of context, apparently 3 of the current line-up played on more albums with original frontman Lee Brilleaux than the legendary original guitar toting Wilko Johnson etc Etc EiTC)

Moving on to 21.00 we all know the intro tune but it just makes the hairs on the back of the neck stand up with anticipation. My last outing in Reading was a bit flat due to lacklustre audience, so was hoping Bournemouth would make up for it. Well the answer was a big fat yes from the first song Tank, I knew this was going to be a f**king cracking gig (apologies for F Word).

Next song I’ve Been Wild another stonking version, this is a song I was never a great fan of but it just sounds so good on this tour. I am not going to mention all the set list as most of you know it by Now? But tonight we had 3 changes from Reading; TTD, The Raven and first encore song Walk on By. It was Baz Warne’s birthday on the day, so he made some very funny comments about how he wanted to be in Bournemouth rather than at home in Leeds or with family in Sunderland.

Now for a few of my favs of the night; Last Man on the moon – I have grown to love this song, I actually prefer it to the cover version (This Song) that they are playing. Water – a classic in the making – just love this song, even the crowd seemed to react to it… they certainly didn’t to Ice Queen, again one of my tour Highlights (to be honest there wasn’t a song I didn’t like but Peaches really does need a break).

if I could pick any I had to walk out in disgust at; the sexist subject matter and the disgusting lyrics of Nubiles and GB with it’s glorification of Heroin, disgusting vile filth (Joking of course).

The venue was rammed full and holds 1800 a really good size, the sound was very good too, much louder than Reading. The band were really firing on all cylinders, with such great spirit on the stage, it really does add to the dynamic.

Baz’s voice sounded good and the new songs suit his voice well. He was in fine form too and had some great banter when someone was shouting moronic remarks, he put them down with good humour.

The whole band played as a tight as a well oiled machine. Dave has been playing better on this tour IMHO but he still seems to drink quite a bit, I don’t know how many times I saw a crew member replace his Stella but doesn’t seem to effect his playing.

Jim Mac just so part of the band now, adding backing vocals on new songs (and some of the back catalogue EiTC), and f**k he hits those skins hard, but also has a soft touch when needed, he certainly has given them more energy. And he respects Jet’s patterns but adds his own touch too, without detracting from the original pattern of the beat.

And last but not least 7th Dan Shidokan bass meister JJ, he is just so cool and his bass sound and playing are just a joy to behold, that bass intro on Bordello possibly one of his greatest moments? and a highlight, possibly the greatest Stranglers song apart from Sewer, Raven and Genetix but too many to mention…

Moving on, great lights and production too without detracting from the music. Last song of set before encore the mighty Down in the Sewer – really good version, JJ played the Rats Rally bass part with more vigour than my last gig.

Final song of course Heroes with JJ trying to punch a hole in his bass, the way he hits it he may succeed one day – big smile on his face of course. And that was that, band all came out to front of stage and Baz says “It’s been an absolute pleasure, you know they are happy when Baz says that.

Part 4-Epilogue.

Personally, I think the set on the current tour has been the most inventive for years, they have changed the set every night and played new songs and songs not played for 20 years. I commend the band, it proves they are still creative and are not going through the motions. It is the last spring tour apparently? I think they will tour later next year? who knows? But this band really are something special, I just don’t know how they keep up the standard? I hope we have a few more years of excellent gigs and a new album in the not too distant future, I love this band and have done since 1979 (the music of course) .

Lt Kudu over and out.

Words: Great Kudu.

Originally posted on the Burning Up Times forum. Extracted and edited with the authors permission…

Photos: Maria Meli.

  • * Sege (obs): Seat of distinction, Throne.

Bonus:

The Stranglers – Dr Feelgood – Glive Guildford 190319

Then…

Before you knew it, there we were standing in Guildford… so while that was indeed where we were, we thought, why not take a stroll down to The Star and visit the plaque where it all started? Which we duly did…
Suddenly, we found ourselves in a quiet pub on a Guildford backstreet where we chanced upon a Rut and two Dept S’s there were also a Strangler, some roadcrew and a smattering of FiB in attendance…
Even more suddenly, we were transported via the drunken staircase into the bowels of G-Live, to where we now stood in front of Dr Feelgood.

Having made it just in time to catch the last couple of numbers, they sounded blisteringly good. Giving it their all with a high energy in your face performance of a special patented blend of hard-hitting R&B. Closing number Route 66 was stonking, shame we didn’t get to catch more of their set. Check them out…

Less suddenly, or maybe even further along than that… The lights dimmed… The crowd buzzed… Waltzinblack struck up… Enter stage Right and Left The Stranglers…

Kicking off with Tank, The Men in Black were firing on all cylinders. An excellent set list comprising a little something for everyone, with hits, fan favourites, new numbers and some material rarely played live (if ever).

A symbiosis occurred between Artist and audience as the more they gave the more we lapped it up. And for Guildford on a damp Tuesday evening that was no mean feat.

The stage setup and lighting for this show was magnificent with it’s down in the sewer vibe…

Highlights for me were; seeing the Stranglers in Guildford of a damp Tuesday evening, i.e. the whole thing! To narrow down a selection; Walk on By, Nubiles, Princess of the Streets and much more.

Of the new stuff: Last Man on The Moon – Good Stranglery fare. Payday – standout for me atm – four-part harmonies and nice twists and turns. This Song – good vibe and instant – and the crowd seem to pick up on it. All the new material was well received. Fair play to them for putting them in.

There was a good rapport with the crowd tonight as Baz was teasing us soft southerners. Talking of Baz he was on good form and his interpretations of Uptown and Ice Queen sounded spot on to these ears. Although he sings in a different register from HC, he does the material justice. Uptown coming across as surprisingly strong with this lineup. Ice Queen also sounded great particularly the extended slide guitar section. Keep it up Baz.

Jim is a hard hitter. He pounds the drums like his life depends on it, yet at the same time always pays respect to the subtleties and flourishes of the songs. He has a fine voice too.

Dave is Dave is Dave – the heart and soul, sublime! And the keys were shining through loud and clear.

JJ – the undisputed heavyweight of the 4 string! In fine form – instrumentally, vocally and menacingly (albeit in a good-natured way). At one point he made his way to the very front of the stage, got in the audiences face and yelled ‘Right!’ Before launching into the opening bars of Peaches, much to the crowd’s delight.

All too soon the bass was registering a steady 5.8 on the Richter scale and it was all No More Heroes and over…

Bonus:

Bonus Bonus: Videos courtesy of Andy Miller.

Ruts DC – Shepherds Bush Empire 280219

Now that summer’s almost over as is February, thought it’d be a good idea to head on down to Shepherds Bush to catch up with Ruts DC as they celebrate 40 years since the release of their debut album The Crack (I don’t need to hark on too much about just how brilliant The Crack is. Just to say it is timeless and as relevant today as it was 40 years ago).

The journey wasn’t without complication having taken 1 step backward and 2 step forwards but choosing to live in a positive way.

The ever-decreasing circles being driven around eventually gave way to a parking spot right behind the venue from whence we alighted and made our way inside…

A very healthy (near capacity) crowd thronged in the Shepherds Bush Empire tonight and a lot of like minds and friendly familiars had made their way down all the way from 1979 and earlier and beyond. A beautiful banner showing a recreation of the classic album cover adorned the stage.

The challenges of the short flight from SW to W London all but put paid to the chances of catching the set by The Professionals. However, we did manage to get down to hear the last couple of numbers and they sounded very tight and well delivered as the crowd at the front made the most. And it was of course a delight to see Mr Cook driving things from centre stage…

The dimming lights and a heartfelt poetry recital signalled that the time had come…

…as Segs, Ruffy and Leigh took up their spots and kicked off into The Crack.

The sound and delivery were spot on. The band played a blinder. I’ve alluded in previous ramblings as to their skill and professionalism but blimey! They proceeded to deliver a thrilling and captivating show from start to finish.

As if it wasn’t enough to recreate The Crack they continued through most of the singles and b-sides from that Era and added a smattering of selections from the excellent Music Must Destroy.

1981’s Animal Now wasn’t represented we can only live in hope that they are saving that up for a 40th anniversary show too (please)…

More on the performance. Not only does Dave Ruffy never drop a beat he seems to effortlessly lay down the rhythm and deliver the BV’s without breaking sweat. Master.

Leigh continues to go from strength to strength as was abundantly clear in his superb delivery tonight. Completely faithful to the legacy of Paul Fox while being in, above and at times way beyond the zone. Expert.

What of Segs? I hear you ask… Now Segs had it all sewn up tonight and we were eating out of his hands. The bass was biting and crunchy where it needed to be and subsonic smooth and dub-wise, also at the appropriate moments. The vocals were superbly sublime. And his whole demeanour was flawless, dynamic and polished. Star.

I hope they recorded this in some way shape or form as it will be a belter to add to their canon.

Get ‘em while they’re ‘ot…

Over…

EiTC.

Bonus: